茄子视频app官网

Menu

Wananga landing Wananga landing

Fish Stories

20 November 2023

By Mary Cresswell聽

HOW TO APPLY

May 2015
$5 (was $25.00)
131pp, paperback with flaps
200 x 140mm
ISBN: 978-1-927145-66-1

Mary Cresswell is at her imaginative best in this new collection, built from her experiments with the ghazal, a traditional form, which she first met via the work of Agha Shahid Ali and Mimi Khalvati. The poems in聽Fish Stories聽are presented as an intellectual challenge to students of the ghazal and glosa forms, encouraging them to develop their own craft. At the same time, Cresswell鈥檚 poetry is widely accessible and appealing: using rhyme and varying poetic structures, inspired by a range of topics, but especially by nature and ecology, she combines humour with serious comment to engage and connect with her reader.

Fish Stories

Fish Stories聽has been designed and printed in collaboration with Ilam Press, Ilam School of Fine聽Arts.

Mary Cresswell聽came to New 茄子视频app官网from Los Angeles in 1970. She began writing poetry while winding down a full-time career as a freelance technical editor with a聽 main interest聽in New 茄子视频app官网natural history. Mary is co-author of聽Millionaire鈥檚 Shortbread聽(Otago University Press, 2003) and the author of two more poetry books,聽Nearest & Dearest聽(2009), and聽Trace Fossils聽(2011), both published by Steele Roberts.


Reviews

"Mary Cresswell鈥檚 poetry is an adventure playground where experiments in form and ingenious wordplay are part of the game. But this game is serious. Anemometers are whirling; grey-green children are howling on the shoreline. Ignore her at your peril.聽She鈥檒l make you smile and she鈥檒l make you think."
Janis Freegard, Wellington poet and author of聽The Glass Rooster

"Natural disaster looms throughout Mary Cresswell鈥檚聽Fish Stories: avalanche, flood, storm, quake. Sometimes her slant-rhymed poems mimic an environment gone haywire, its patterns fragmenting. The intense formality of this collection, however 鈥 populated not only by wild variations on the ghazal but by glosas, syllabics, a cento, and a broken sonnet or two 鈥 more often suggest the connective forces still holding the world together, for a while. The waves may 'quarrel up the rocks', as she puts it in 鈥楧iaspora鈥, but we birds still 鈥榮tand in rows and lean against each other'."
Lesley Wheeler, Professor of English, Washington and Lee University

Privacy Preferences

By clicking "Accept All Cookies", you agree to the storing of cookies on your device to enhance site navigation, analyse site usage, and assist in our marketing efforts.